By Nandi Bhatia
Nandi Bhatia argues that Indian theater was once an important strength within the fight opposed to oppressive colonial and postcolonial buildings, because it sought to undo quite a few schemes of political and cultural energy via its engagement with matters derived from mythology, historical past, and to be had colonial versions corresponding to Shakespeare. Bhatia's consciousness to neighborhood histories inside of a postcolonial framework locations functionality in a world and transcultural context. Drawing connections among paintings and politics, among functionality and daily event, Bhatia indicates how functionality usually intervened in political debates or even replaced the process politics.
One of the 1st Western stories of Indian theater to hyperlink the aesthetics and the politics of that theater, Acts of Authority/Acts of Resistance combines in-depth archival study with shut readings of dramatic texts played at severe moments in heritage. each one bankruptcy amplifies its issues opposed to the backdrop of particular social stipulations because it examines specific dramatic productions, from The Indigo replicate to diversifications of Shakespeare performs by way of Indian theater businesses, illustrating the position of theater in bringing nationalist, anticolonial, and gendered struggles into the general public sphere.
Nandi Bhatia is affiliate Professor of English on the college of Western Ontario.
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Regardless of its significance to literary and cultural texts of resistance, theater has been principally missed as a box of study in colonial and postcolonial stories. Acts of Authority/Acts of Resistance seeks to deal with that absence, because it uniquely perspectives drama and function as vital to the perform of nationalism and anti-colonial resistance.
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Additional resources for Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India
Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India by Nandi Bhatia